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One characteristic of Shakespeare’s late plays is an insistence on non-heteronormative forms of sexuality and gender identification. Using at least three examples from three plays, discuss how Shakespeare’s late plays explore same-sex desire. Do you think these representations of desires and genders relate to the all-male stage of Shakespeare’s day? If so, how? If not, why not? What broader claims might these late plays be making about desire and sexuality in Renaissance England and beyond?